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New York Philharmonic 150th Anniversary, 1992

Offset lithography
38 1/2 × 30 1/4 in
97.8 × 76.8 cm
Edition of 800
This is part of a limited edition set.
$450
Location
Brooklyn
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
ArtWise
Brooklyn
Follow

150th Anniversary, printed by ULAE
New York Philharmonic December 7, 1992
Printer’s Imprint: Lincoln …

Read more

150th Anniversary, printed by ULAE
New York Philharmonic December 7, 1992
Printer’s Imprint: Lincoln Center/ List Art Posters 1992
Reference in Prestel Rauschenberg Posters book.

Medium
Print
Publisher
ULAE
Price ranges of medium-sized prints by Robert Rauschenberg
Learn more
More info
Browse works in this category
$0–$800
This work
$0
$16,800+
Robert Rauschenberg
American, 1925–2008
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Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Save
Save
View
View in room
Share
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Save
Save
View
View in room
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About the work
ArtWise
Brooklyn
Follow

150th Anniversary, printed by ULAE
New York Philharmonic December 7, 1992
Printer’s Imprint: Lincoln …

Read more

150th Anniversary, printed by ULAE
New York Philharmonic December 7, 1992
Printer’s Imprint: Lincoln Center/ List Art Posters 1992
Reference in Prestel Rauschenberg Posters book.

Medium
Print
Publisher
ULAE
Price ranges of medium-sized prints by Robert Rauschenberg
Learn more
More info
Browse works in this category
$0–$800
This work
$0
$16,800+
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

New York Philharmonic 150th Anniversary, 1992

Offset lithography
38 1/2 × 30 1/4 in
97.8 × 76.8 cm
Edition of 800
This is part of a limited edition set.
$450
Location
Brooklyn
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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