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In the early 1970s, skate culture and street art became deeply intertwined, and a new medium for artists was born: the skate deck. In earlier days, when skateboarding was a still a subculture on the fringe, simply being a skater was enough to set oneself apart from the crowd. However, the growing popularity of the …

AE
Artware Editions

set of three skateboard decks
7-ply Canadian Maplewood with screen-print
each deck: 31 h. x 8 inches
mounting hardware included
limited edition of 300 (screen-printed signature)

SHIPPING NOTE: This item ships from Belgium. Please allow 5 - 7 business days for handling time.

object description
This set of 3 skateboard decks …

Medium
Condition
Brand new
Signature
Stamed on verso
Frame
Not included
Manufacturer
The Skateroom

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

High auction record
$88.8m, Christie's, 2019
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions
2018
Rauschenberg: In and About L.A.Los Angeles County Museum of Art
Rauschenberg: The 1/4 MileLos Angeles County Museum of Art
2017
Faurschou Foundation VeniceFaurschou Foundation
View all

Overdrive Skateboard Decks, 2017

7-ply Canadian Maplewood with screen-print
31 × 24 × 2 in
78.7 × 61 × 5.1 cm
Edition of 300
.
Sold
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In the early 1970s, skate culture and street art became deeply intertwined, and a new medium for …

AE
Artware Editions

set of three skateboard decks
7-ply Canadian Maplewood with screen-print
each deck: 31 h. x 8 inches

Medium
Condition
Brand new
Signature
Stamed on verso
Frame
Not included
Manufacturer
The Skateroom

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

High auction record
$88.8m, Christie's, 2019
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions (3)

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