Page 1 of 2
Page 1 of 2
Page 1 of 2
A
ArtWise
Brooklyn

First printing exhibition poster created for Rauschenberg's Overseas Culture Interchange (ROCI), signed in pencil by Rauschenberg. Not Numbered. Printed for the Museuo de Arte Contemporaneo de Caracas, Venezuela.

Medium
Condition
A-: Near Mint, very light signs of handling
Signature
Hand-signed by artist, Hand Signed
Certificate of authenticity
Included
Frame
Not included

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

High auction record
$88.8m, Christie's, 2019
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions
2018
Rauschenberg: In and About L.A.Los Angeles County Museum of Art
Rauschenberg: The 1/4 MileLos Angeles County Museum of Art
2017
Faurschou Foundation VeniceFaurschou Foundation
View all

ROCI: Venezuela, 1985

Offset Lithograph
34 1/2 × 24 in
87.6 × 61 cm
.
$1,500
Ships from Brooklyn, NY, US
Shipping: Free domestic, $39 rest of world
Location
Brooklyn
Certificate
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Check
Your purchase is protected
Learn more about Artsy’s buyer protection..
Have a question? Visit our help center or .
Want to sell a work by this artist? Consign with Artsy.
A
ArtWise
Brooklyn

First printing exhibition poster created for Rauschenberg's Overseas Culture Interchange …

Medium
Condition
A-: Near Mint, very light signs of handling
Signature
Hand-signed by artist, Hand Signed
Certificate of authenticity
Included
Frame
Not included

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

High auction record
$88.8m, Christie's, 2019
Blue chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions (3)

Series by this artist

Other works from Spotlighting Rauschenberg
Other works by Robert Rauschenberg
Other works from ArtWise
Related works
Related artists