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ROOKERY MOUNDS--NIGHT TORK (GEMINI 842), 1979

Color lithograph
Bidding closed
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About the work
D
Doyle

Printed and published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, …

Read more

Printed and published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, framed.

Sheet 40 1/2 x 30 3/4 inches; 1029 x 781 mm.

Medium
Print
Signature
Signed, dated and inscribed PP II in pencil (aside from the numbered edition of 50)
Robert Rauschenberg
American, 1925–2008
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Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

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About the work
D
Doyle

Printed and published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, …

Read more

Printed and published by Gemini G.E.L., Los Angeles and with their blindstamps, the full sheet, framed.

Sheet 40 1/2 x 30 3/4 inches; 1029 x 781 mm.

Medium
Print
Signature
Signed, dated and inscribed PP II in pencil (aside from the numbered edition of 50)
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

ROOKERY MOUNDS--NIGHT TORK (GEMINI 842), 1979

Color lithograph
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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