Robert Rauschenberg, ‘San Marco [Anagram (A Pun)]’, 1998, Sotheby's: Contemporary Art Day Auction

From the Catalogue

"I asked Rauschenberg how he felt about winning the Biennale (I was working on a New Yorker profile of him at the time, and had come to Venice partly in anticipation of his victory). He thought for a minute, concentrating hard on the banal question. 'That scene in San Marco yesterday really got to me,' he said. 'Butterflies in the stomach and a lump in the throat like—like it really did mean something after all.'" — Calvin Tomkins, Off the Wall: A Portrait of Robert Rauschenberg, New York 2005, p. 11

Courtesy of Sotheby's

Signature: signed and dated 98

Acquired directly from the artist by the present owner in April 1998

About Robert Rauschenberg

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

American, 1925-2008, Port Arthur, Texas, based in New York and Captiva Island, Florida