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Tampa 3, 1972

Three-color lithograph, collage and pencil lines
44 × 47 × 1/4 in
111.8 × 119.4 × 0.6 cm
Edition XVI/XX/22; XX
This is part of a limited edition set.
$7,500 - 10,000
Location
Tampa
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Graphicstudio USF
Tampa
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Working in a wide range of subjects, styles, materials, and techniques, Robert Rauschenberg …

Read more

Working in a wide range of subjects, styles, materials, and techniques, Robert Rauschenberg (1925-2008) has been called a forerunner of essentially every postwar movement since Abstract Expressionism. He remained, however, independent of any particular affiliation. Rauschenberg's early works established the …

Read more
Medium
Print
Signature
Hand-signed by artist, Signed on front
Certificate of authenticity
Included
Frame
Not included
Series
Made in Tampa
Publisher
Graphicstudio/USF
Price ranges of large prints by Robert Rauschenberg
Learn more
More info
Browse works in this category
$10,000–$12,000
This work
$0
$42,000+
Robert Rauschenberg
American, 1925–2008
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Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Graphicstudio USF
Tampa
Follow

Working in a wide range of subjects, styles, materials, and techniques, Robert Rauschenberg …

Read more

Working in a wide range of subjects, styles, materials, and techniques, Robert Rauschenberg (1925-2008) has been called a forerunner of essentially every postwar movement since Abstract Expressionism. He remained, however, independent of any particular affiliation. Rauschenberg's early works established the …

Read more
Medium
Print
Signature
Hand-signed by artist, Signed on front
Certificate of authenticity
Included
Frame
Not included
Series
Made in Tampa
Publisher
Graphicstudio/USF
Price ranges of large prints by Robert Rauschenberg
Learn more
More info
Browse works in this category
$10,000–$12,000
This work
$0
$42,000+
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Tampa 3, 1972

Three-color lithograph, collage and pencil lines
44 × 47 × 1/4 in
111.8 × 119.4 × 0.6 cm
Edition XVI/XX/22; XX
This is part of a limited edition set.
$7,500 - 10,000
Location
Tampa
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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