Robert Rauschenberg, ‘Untitled Limited Edition Porcelain Plate (Guggenheim Museum)’, 1997, Alpha 137 Gallery
Robert Rauschenberg, ‘Untitled Limited Edition Porcelain Plate (Guggenheim Museum)’, 1997, Alpha 137 Gallery
Robert Rauschenberg, ‘Untitled Limited Edition Porcelain Plate (Guggenheim Museum)’, 1997, Alpha 137 Gallery
Robert Rauschenberg, ‘Untitled Limited Edition Porcelain Plate (Guggenheim Museum)’, 1997, Alpha 137 Gallery
Robert Rauschenberg, ‘Untitled Limited Edition Porcelain Plate (Guggenheim Museum)’, 1997, Alpha 137 Gallery

Robert Rauschenberg designed this limited edition porcelain plate exclusively for the Guggenheim Museum’s retrospective of the artist in 1997. Published by the Guggenheim and long-since sold out, it features the artist’s signature on the back. Original packaging is included. Excellent condition. Limited Edition -sold out = exact number unknown. This is one of six designs based on different Rauschenberg works in the exhibition.

Signature: Authorized signature on the back, with artist's copyright and text noting it is an exclusive edition for the Guggenheim Museum

Manufacturer: Guggenheim Museum

Guggenheim Museum

About Robert Rauschenberg

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

American, 1925-2008, Port Arthur, Texas, based in New York and Captiva Island, Florida