Navigate left
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share

XXXIV Illustrations for Dante's Inferno, 1965

Original Illustrated
18 1/10 × 18 9/10 in
46 × 48 cm
This is an editioned multiple.
€9,500
Location
Only Exhibition
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Wallector
Only Exhibition
Follow

Hand signed. Edition of 250 copies including 34 reproductions of original artworks by Robert …

Read more

Hand signed. Edition of 250 copies including 34 reproductions of original artworks by Robert Rauschenberg. Each illustration is numbered in pencil. The original series of lithographs by Rauschenberg is in the Moma's collection. includes original slipcase in canvas.
Edition: Milano, Macorini
Circulation: 250
Format: …

Read more
Medium
Books and Portfolios
Publisher
Milano, Macorini
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Navigate left
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Wallector
Only Exhibition
Follow

Hand signed. Edition of 250 copies including 34 reproductions of original artworks by Robert …

Read more

Hand signed. Edition of 250 copies including 34 reproductions of original artworks by Robert Rauschenberg. Each illustration is numbered in pencil. The original series of lithographs by Rauschenberg is in the Moma's collection. includes original slipcase in canvas.
Edition: Milano, Macorini
Circulation: 250
Format: …

Read more
Medium
Books and Portfolios
Publisher
Milano, Macorini
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

XXXIV Illustrations for Dante's Inferno, 1965

Original Illustrated
18 1/10 × 18 9/10 in
46 × 48 cm
This is an editioned multiple.
€9,500
Location
Only Exhibition
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Other works by Robert Rauschenberg
Related works
Most Similar