Robert Ryman, ‘Untitled, from 10 From the Bowery 1969-1971’, 1969, Krakow Witkin Gallery
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Robert Ryman

Untitled, from 10 From the Bowery 1969-1971, 1969

Screenprint
25 3/4 × 25 3/4 in
65.4 × 65.4 cm
.
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Location
Boston
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About the work
Krakow Witkin Gallery
Boston

Robert Ryman
Untitled, from 10 From the Bowery 1969-1971
1969
Screenprint
Image/paper size: 25 3/4 x …

Medium
Signature
Signed and dated lower center in image, numbered upper center in image
Robert Ryman
American, 1930–2019
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Often allied with Minimalist, Conceptual Art, and Monochrome Painting, Robert Ryman has painted works in which theme and medium are one. A majority of his paintings feature only white or off-white paint on square canvases, varying in scale and texture and draw the eye toward the nature of the brush strokes and the depth of paint. To further heighten the effect of subtle variations in technique, Ryman manipulates how each work is hung on the wall, playing with the frames themselves as well as with each painting’s distance from the wall. For example, the eleven-panel Vector (1975/1997) comprises 11 wood units of the same size painted in white and hung equidistant from one another, the empty spaces on the walls between the panels echoing the nuanced texture and forms of the panels themselves.

Robert Ryman, ‘Untitled, from 10 From the Bowery 1969-1971’, 1969, Krakow Witkin Gallery
Save
Save
View
View in room
Share
Share
About the work
Krakow Witkin Gallery
Boston

Robert Ryman
Untitled, from 10 From the Bowery 1969-1971
1969
Screenprint
Image/paper size: 25 3/4 x 25 3/4 inches (65.4 x 765.4 cm)
Signed and dated lower center in image, numbered upper center in image
(Inventory #28645)

Medium
Signature
Signed and dated lower center in image, numbered upper center in image
Robert Ryman
American, 1930–2019
Follow

Often allied with Minimalist, Conceptual Art, and Monochrome Painting, Robert Ryman has painted works in which theme and medium are one. A majority of his paintings feature only white or off-white paint on square canvases, varying in scale and texture and draw the eye toward the nature of the brush strokes and the depth of paint. To further heighten the effect of subtle variations in technique, Ryman manipulates how each work is hung on the wall, playing with the frames themselves as well as with each painting’s distance from the wall. For example, the eleven-panel Vector (1975/1997) comprises 11 wood units of the same size painted in white and hung equidistant from one another, the empty spaces on the walls between the panels echoing the nuanced texture and forms of the panels themselves.

Robert Ryman

Untitled, from 10 From the Bowery 1969-1971, 1969

Screenprint
25 3/4 × 25 3/4 in
65.4 × 65.4 cm
.
Contact For Price
Location
Boston
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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