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Robert Ryman

Untitled, from On the Bowery, 1969

Screenprint in white and blue, on Schodles-Hammer paper, with full margins, with the original printed paper sleeve.
25 3/5 × 25 3/5 in
65 × 65 cm
Edition 91/100 + 20AP
Bidding closed
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About the work
Bibliography
P
Phillips

I. 59 x 59 cm (23 1/4 x 23 1/4 in.)
S. 65 x 65 cm (25 5/8 x 25 5/8 in.)

I. 59 x 59 cm (23 1/4 x 23 1/4 in.)
S. 65 x 65 cm (25 5/8 x 25 5/8 in.)

Medium
Print
Signature
Signed, dated and numbered 91/100 in pencil (there were also 20 artist's proofs in Roman numerals), published by Edition Domberger, … Read more
Robert Ryman
American, 1930–2019
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Often allied with Minimalist, Conceptual Art, and Monochrome Painting, Robert Ryman has painted works in which theme and medium are one. A majority of his paintings feature only white or off-white paint on square canvases, varying in scale and texture and draw the eye toward the nature of the brush strokes and the depth of paint. To further heighten the effect of subtle variations in technique, Ryman manipulates how each work is hung on the wall, playing with the frames themselves as well as with each painting’s distance from the wall. For example, the eleven-panel Vector (1975/1997) comprises 11 wood units of the same size painted in white and hung equidistant from one another, the empty spaces on the walls between the panels echoing the nuanced texture and forms of the panels themselves.

Save
Save
view
View in room
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Save
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view
View in room
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About the work
Bibliography
P
Phillips

I. 59 x 59 cm (23 1/4 x 23 1/4 in.)
S. 65 x 65 cm (25 5/8 x 25 5/8 in.)

I. 59 x 59 cm (23 1/4 x 23 1/4 in.)
S. 65 x 65 cm (25 5/8 x 25 5/8 in.)

Medium
Print
Signature
Signed, dated and numbered 91/100 in pencil (there were also 20 artist's proofs in Roman numerals), published by Edition Domberger, … Read more
Robert Ryman
American, 1930–2019
Follow

Often allied with Minimalist, Conceptual Art, and Monochrome Painting, Robert Ryman has painted works in which theme and medium are one. A majority of his paintings feature only white or off-white paint on square canvases, varying in scale and texture and draw the eye toward the nature of the brush strokes and the depth of paint. To further heighten the effect of subtle variations in technique, Ryman manipulates how each work is hung on the wall, playing with the frames themselves as well as with each painting’s distance from the wall. For example, the eleven-panel Vector (1975/1997) comprises 11 wood units of the same size painted in white and hung equidistant from one another, the empty spaces on the walls between the panels echoing the nuanced texture and forms of the panels themselves.

Robert Ryman

Untitled, from On the Bowery, 1969

Screenprint in white and blue, on Schodles-Hammer paper, with full margins, with the original printed paper sleeve.
25 3/5 × 25 3/5 in
65 × 65 cm
Edition 91/100 + 20AP
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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