Roger Ackling, ‘Voewood’, 2012, Ingleby Gallery

About Roger Ackling

Sculptor Roger Ackling made all of his work by the same method—burning marks onto found wooden objects and scraps by focusing sunlight through a magnifying glass. For Ackling, the method combined the monumentality and infinity of outer space with the intimacy of small-scale objects and alterations: Every mark documents the interaction of a ray of light that has traveled millions of miles with a discarded object that exists on the periphery of everyday experience. Ackling also curated his own exhibitions, transforming his sculptures into large-scale installations and interventions.

British, 1947-2014, London, United Kingdom, based in Gloucestershire, United Kingdom