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Romare Bearden

Memories, 1974

Etching
22 × 29 3/4 in
55.9 × 75.6 cm
Edition 1/1
This is a unique work.
Contact For Price
location
Atlanta
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About the work
Exhibition history
Signature
Title and signature lower recto
Image rights
© Romare Bearden Foundation | VAGA at Artist Rights Society (ARS) New York
Romare Bearden
American, 1911–1988
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A pioneer of African-American art and celebrated collagist, Romare Bearden seamlessly blended images of African-American life in the urban and rural South with references to popular culture, religion, and Classical art and myth. He depicted jazz musicians, monumental subjects, nudes, or mythological characters set against abstract, fragmented backgrounds. Each of his collages integrated images painted in gouache, watercolors, oil paints, which he would then fix to paper or canvas. Bearden sought to give the African-American experience a universal, monumental, and Classical representation: he would often recast Classical events with African-American subjects, as in The Return of Odysseus (Homage to Pintoricchio and Benin) (1977). By rendering Odysseus, Penelope, and Telemachus as African-Americans, Bearden drew the political injustices of his time into a universal, allegorical context.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
Exhibition history
Signature
Title and signature lower recto
Image rights
© Romare Bearden Foundation | VAGA at Artist Rights Society (ARS) New York
Romare Bearden
American, 1911–1988
Follow

A pioneer of African-American art and celebrated collagist, Romare Bearden seamlessly blended images of African-American life in the urban and rural South with references to popular culture, religion, and Classical art and myth. He depicted jazz musicians, monumental subjects, nudes, or mythological characters set against abstract, fragmented backgrounds. Each of his collages integrated images painted in gouache, watercolors, oil paints, which he would then fix to paper or canvas. Bearden sought to give the African-American experience a universal, monumental, and Classical representation: he would often recast Classical events with African-American subjects, as in The Return of Odysseus (Homage to Pintoricchio and Benin) (1977). By rendering Odysseus, Penelope, and Telemachus as African-Americans, Bearden drew the political injustices of his time into a universal, allegorical context.

Romare Bearden

Memories, 1974

Etching
22 × 29 3/4 in
55.9 × 75.6 cm
Edition 1/1
This is a unique work.
Contact For Price
location
Atlanta
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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