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Romare Bearden

Morning, 1979

Lithograph in colors, on Somerset paper, with full margins
21 7/10 × 27 4/5 in
55.2 × 70.5 cm
Edition 86/175 + 30AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
P
Phillips

Image: 19 1/4 x 24 3/4 in. (48.9 x 62.9 cm)
Sheet: 21 3/4 x 27 3/4 in. (55.2 x 70.5 cm)
Unframed

Image: 19 1/4 x 24 3/4 in. (48.9 x 62.9 cm)
Sheet: 21 3/4 x 27 3/4 in. (55.2 x 70.5 cm)
Unframed

Signature
Signed and numbered 86/175 in pencil (there were also 30 artist's proofs)
Romare Bearden
American, 1911–1988
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A pioneer of African-American art and celebrated collagist, Romare Bearden seamlessly blended images of African-American life in the urban and rural South with references to popular culture, religion, and Classical art and myth. He depicted jazz musicians, monumental subjects, nudes, or mythological characters set against abstract, fragmented backgrounds. Each of his collages integrated images painted in gouache, watercolors, oil paints, which he would then fix to paper or canvas. Bearden sought to give the African-American experience a universal, monumental, and Classical representation: he would often recast Classical events with African-American subjects, as in The Return of Odysseus (Homage to Pintoricchio and Benin) (1977). By rendering Odysseus, Penelope, and Telemachus as African-Americans, Bearden drew the political injustices of his time into a universal, allegorical context.

Save
Save
view
View in room
share
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Save
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view
View in room
share
Share
About the work
P
Phillips

Image: 19 1/4 x 24 3/4 in. (48.9 x 62.9 cm)
Sheet: 21 3/4 x 27 3/4 in. (55.2 x 70.5 cm)
Unframed

Image: 19 1/4 x 24 3/4 in. (48.9 x 62.9 cm)
Sheet: 21 3/4 x 27 3/4 in. (55.2 x 70.5 cm)
Unframed

Signature
Signed and numbered 86/175 in pencil (there were also 30 artist's proofs)
Romare Bearden
American, 1911–1988
Follow

A pioneer of African-American art and celebrated collagist, Romare Bearden seamlessly blended images of African-American life in the urban and rural South with references to popular culture, religion, and Classical art and myth. He depicted jazz musicians, monumental subjects, nudes, or mythological characters set against abstract, fragmented backgrounds. Each of his collages integrated images painted in gouache, watercolors, oil paints, which he would then fix to paper or canvas. Bearden sought to give the African-American experience a universal, monumental, and Classical representation: he would often recast Classical events with African-American subjects, as in The Return of Odysseus (Homage to Pintoricchio and Benin) (1977). By rendering Odysseus, Penelope, and Telemachus as African-Americans, Bearden drew the political injustices of his time into a universal, allegorical context.

Romare Bearden

Morning, 1979

Lithograph in colors, on Somerset paper, with full margins
21 7/10 × 27 4/5 in
55.2 × 70.5 cm
Edition 86/175 + 30AP
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Romare Bearden