Romare Bearden, ‘Morning’, 1979, Phillips

Image: 19 1/4 x 24 3/4 in. (48.9 x 62.9 cm)
Sheet: 21 3/4 x 27 3/4 in. (55.2 x 70.5 cm)
Unframed

Signature: Signed and numbered 86/175 in pencil (there were also 30 artist's proofs)

About Romare Bearden

A pioneer of African-American art and celebrated collagist, Romare Bearden seamlessly blended images of African-American life in the urban and rural South with references to popular culture, religion, and Classical art and myth. He depicted jazz musicians, monumental subjects, nudes, or mythological characters set against abstract, fragmented backgrounds. Each of his collages integrated images painted in gouache, watercolors, oil paints, which he would then fix to paper or canvas. Bearden sought to give the African-American experience a universal, monumental, and Classical representation: he would often recast Classical events with African-American subjects, as in The Return of Odysseus (Homage to Pintoricchio and Benin) (1977). By rendering Odysseus, Penelope, and Telemachus as African-Americans, Bearden drew the political injustices of his time into a universal, allegorical context.

American, 1911-1988, Charlotte, North Carolina, based in New York, New York