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Romare Bearden

Slave Ship, 1972

Screenprint in colors, on wove paper, with full margins
32 4/5 × 21 2/5 in
83.2 × 54.3 cm
Edition 64/144
This is part of a limited edition set.
Bidding closed
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About the work
P
Phillips

Image: 28 1/2 x 18 1/8 in. (72.4 x 46 cm)
Sheet: 32 3/4 x 21 3/8 in. (83.2 x 54.3 cm)
Framed

Image: 28 1/2 x 18 1/8 in. (72.4 x 46 cm)
Sheet: 32 3/4 x 21 3/8 in. (83.2 x 54.3 cm)
Framed

Signature
Signed and numbered 64/144 in pencil
Publisher
Pace Editions, Inc., New York
Romare Bearden
American, 1911–1988
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A pioneer of African-American art and celebrated collagist, Romare Bearden seamlessly blended images of African-American life in the urban and rural South with references to popular culture, religion, and Classical art and myth. He depicted jazz musicians, monumental subjects, nudes, or mythological characters set against abstract, fragmented backgrounds. Each of his collages integrated images painted in gouache, watercolors, oil paints, which he would then fix to paper or canvas. Bearden sought to give the African-American experience a universal, monumental, and Classical representation: he would often recast Classical events with African-American subjects, as in The Return of Odysseus (Homage to Pintoricchio and Benin) (1977). By rendering Odysseus, Penelope, and Telemachus as African-Americans, Bearden drew the political injustices of his time into a universal, allegorical context.

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Save
view
View in room
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Save
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view
View in room
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About the work
P
Phillips

Image: 28 1/2 x 18 1/8 in. (72.4 x 46 cm)
Sheet: 32 3/4 x 21 3/8 in. (83.2 x 54.3 cm)
Framed

Image: 28 1/2 x 18 1/8 in. (72.4 x 46 cm)
Sheet: 32 3/4 x 21 3/8 in. (83.2 x 54.3 cm)
Framed

Signature
Signed and numbered 64/144 in pencil
Publisher
Pace Editions, Inc., New York
Romare Bearden
American, 1911–1988
Follow

A pioneer of African-American art and celebrated collagist, Romare Bearden seamlessly blended images of African-American life in the urban and rural South with references to popular culture, religion, and Classical art and myth. He depicted jazz musicians, monumental subjects, nudes, or mythological characters set against abstract, fragmented backgrounds. Each of his collages integrated images painted in gouache, watercolors, oil paints, which he would then fix to paper or canvas. Bearden sought to give the African-American experience a universal, monumental, and Classical representation: he would often recast Classical events with African-American subjects, as in The Return of Odysseus (Homage to Pintoricchio and Benin) (1977). By rendering Odysseus, Penelope, and Telemachus as African-Americans, Bearden drew the political injustices of his time into a universal, allegorical context.

Romare Bearden

Slave Ship, 1972

Screenprint in colors, on wove paper, with full margins
32 4/5 × 21 2/5 in
83.2 × 54.3 cm
Edition 64/144
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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