Rosemarie Trockel, ‘What it is like to be what you are not’, 1993, Helga Maria Klosterfelde Edition

Published by Helga Maria Klosterfelde Edition

Signature: Signed and numbered

About Rosemarie Trockel

German Conceptual artist Rosemarie Trockel explores feminist and cultural themes using a wide array of mediums, from drawings on paper to elaborate, mechanized installations. Reflecting her view of the art world as male-dominated, Trockel’s works can be self-consciously ironic, exemplified by her series of machine-made balaklavas featuring symbols and logos such as the cross and the Playboy bunny (Balaklava, 1986). These combine a number of conflicting ideas: the historically feminine craft of knitting set against the threatening imagery of the balaklava, capitalist mass-production juxtaposed with political violence.

German, b. 1952, Schwerte, Germany, based in Cologne, Germany

Solo Shows on Artsy

Rosemarie Trockel, Cahiers d'Art, Paris

Group Shows on Artsy

Wait for Me at the Bottom of the Pool, Gladstone Gallery, Brussels, Belgium