Ross Bleckner
PSI (From the Suite of 3), 1997
Ross Bleckner's PS series are glowing and contemplative artworks by one of New York’s …
Ross Bleckner’s immersive, large-scale paintings elicit a powerful hypnotic, dizzying effect. Whether pure abstraction of stripes or dots or more representational renderings of birds, flowers, and urns, Bleckner’s work recalls Op Art and the obsessive and mysterious luminosity of Yayoi Kusama’s Polka-dot paintings. Smoothly layered on the canvas surface against a darker gray background, his multicolored volumetric circles or “cells” look like droplets of blood or molecules viewed under a microscope. Emerging as a prominent artist in New York during the AIDS crisis in the 1980s, Bleckner’s paintings, like memento mori, often suggest meditations on the body, health, disease, and especially AIDS-related death.
Ross Bleckner's PS series are glowing and contemplative artworks by one of New York’s influential contemporary artist. This series features a group of beautifully poetic mid-sized flowers from the 1990s.
Ross Bleckner’s immersive, large-scale paintings elicit a powerful hypnotic, dizzying effect. Whether pure abstraction of stripes or dots or more representational renderings of birds, flowers, and urns, Bleckner’s work recalls Op Art and the obsessive and mysterious luminosity of Yayoi Kusama’s Polka-dot paintings. Smoothly layered on the canvas surface against a darker gray background, his multicolored volumetric circles or “cells” look like droplets of blood or molecules viewed under a microscope. Emerging as a prominent artist in New York during the AIDS crisis in the 1980s, Bleckner’s paintings, like memento mori, often suggest meditations on the body, health, disease, and especially AIDS-related death.
