Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO
Roy Lichtenstein, ‘As I opened Fire’, 1960-1970, ARTEDIO

limited edition, Lithograph, after edition, limited edition of 3000, very good state, artwork is offered unframed, framing on request, worldwide shipping

Details:
• Artist: : Roy Lichtenstein
• Title: As I opened Fire
• Originality: poster edition
• Type: poster edition, triptych
• Technique: coloured offset lithographs
• Paper: cardboard
• Sheet size: 25.2 x 20.5 in
• Making: 1966
• State: very good state
• Edition: after edition, limited edition of 3000
• Publisher: Stedelijk Museum, Amsterdam
• Origin: art publisher
• Format: portrait format
• Presentation: representational art
• Nationality: American art
• Art direction: pop art
• Framing: prints is offered unframed, framing on request
• Shipping: flat in special packaging for art
• Copyright: Marked on the back with reference to equally named paining from 1964 and publisher's copyrights.
• Worldwide shipping from Germany

Contact:
ARTEDIO.COM
Berlin, Germany
email: info@artedio.com
hotline: +49 (0) 30 47 38 78 45
web: www.artedio.com

artwork is shown on ARTEDIO.COM

art publishing partner of ARTEDIO.COM

About Roy Lichtenstein

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

American, 1923-1997, New York, New York, based in New York and Southampton, New York