Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Aspen Jazz, 1967

Silkscreen
40 × 26 in
101.6 × 66 cm
Edition of 300
This is ephemera, an artifact related to the artist.
$3,500
Ships from Brooklyn, NY, US
Shipping: Free domestic, $39 rest of world
location
Brooklyn
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Have a question? Read our FAQ or ask a specialist.
Want to sell a work by this artist? Consign with Artsy.
About the work

“What I really want to do is music,” Roy Lichtenstein joked in a 1997 interview. “But I won’t give …

Read more

“What I really want to do is music,” Roy Lichtenstein joked in a 1997 interview. “But I won’t give up my day job!” The son of a gifted piano player, the Pop artist grew up surrounded by music, playing a variety of instruments as a child and attending concerts at the Apollo theater as a teenager. Lichtenstein hints at …

Read more
ArtWise
Brooklyn
Follow

Screen-print on heavy, glossy white paper. Published by Leo Castelli Gallery for the Aspen Jazz …

Read more

Screen-print on heavy, glossy white paper. Published by Leo Castelli Gallery for the Aspen Jazz Festival in 1967. Printed by Chiron Press, New York. The project was initiated by John and Kimiko Powers who invited several leading jazz musicians to participate in a weekend called the Aspen Jazz Festival in 1967. Page …

Read more
Condition
A-: Near Mint, very light signs of handling
Signature
Not signed
Certificate of authenticity
Included
Frame
Not included
Publisher
Leo Castelli Gallery
Price ranges of large prints by Roy Lichtenstein
Learn more
Browse works in this category
$0–$10,000
This work
$0
$210,000+
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work

“What I really want to do is music,” Roy Lichtenstein joked in a 1997 interview. “But I won’t give …

Read more

“What I really want to do is music,” Roy Lichtenstein joked in a 1997 interview. “But I won’t give up my day job!” The son of a gifted piano player, the Pop artist grew up surrounded by music, playing a variety of instruments as a child and attending concerts at the Apollo theater as a teenager. Lichtenstein hints at …

Read more
ArtWise
Brooklyn
Follow

Screen-print on heavy, glossy white paper. Published by Leo Castelli Gallery for the Aspen Jazz …

Read more

Screen-print on heavy, glossy white paper. Published by Leo Castelli Gallery for the Aspen Jazz Festival in 1967. Printed by Chiron Press, New York. The project was initiated by John and Kimiko Powers who invited several leading jazz musicians to participate in a weekend called the Aspen Jazz Festival in 1967. Page …

Read more
Condition
A-: Near Mint, very light signs of handling
Signature
Not signed
Certificate of authenticity
Included
Frame
Not included
Publisher
Leo Castelli Gallery
Price ranges of large prints by Roy Lichtenstein
Learn more
Browse works in this category
$0–$10,000
This work
$0
$210,000+
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Aspen Jazz, 1967

Silkscreen
40 × 26 in
101.6 × 66 cm
Edition of 300
This is ephemera, an artifact related to the artist.
$3,500
Ships from Brooklyn, NY, US
Shipping: Free domestic, $39 rest of world
location
Brooklyn
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Have a question? Read our FAQ or ask a specialist.
Want to sell a work by this artist? Consign with Artsy.
Other works by Roy Lichtenstein
Other works from ArtWise
Related works
Most Similar
Pop Art