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Aspen Winter Jazz Poster, 1967

Color screenprint on heavy glossy white paper
40 × 26 in
101.6 × 66 cm
Edition 25/300
Bidding closed
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About the work
Bibliography
F
Freeman's

(there were also approximately 12-15 artist's proofs, the full sheet, co-published by the …

Read more

(there were also approximately 12-15 artist's proofs, the full sheet, co-published by the artist and Leo Castelli Gallery, New York for the Aspen Winter Jazz Festival

Signature
Ink signed and numbered 25/300
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Save
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View in room
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Save
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view
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About the work
Bibliography
F
Freeman's

(there were also approximately 12-15 artist's proofs, the full sheet, co-published by the …

Read more

(there were also approximately 12-15 artist's proofs, the full sheet, co-published by the artist and Leo Castelli Gallery, New York for the Aspen Winter Jazz Festival

Signature
Ink signed and numbered 25/300
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Aspen Winter Jazz Poster, 1967

Color screenprint on heavy glossy white paper
40 × 26 in
101.6 × 66 cm
Edition 25/300
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Roy Lichtenstein