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Blonde, from Brushstroke Figures Series, 1989

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford paper
57 4/5 × 37 2/5 in
146.8 × 95 cm
Edition of 60
This is part of a limited edition set.
Sold
location
Miami Beach, New York, Beverly Hills, London
Want to sell a work by this artist? Consign with Artsy.
About the work
Signature
Hand signed by the artist, numbered and dated lower right margin.
Series
Brushstroke Figure Series 1989
Publisher
Waddington Graphics, London and Graphicstudio University of South Florida Tampa
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

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About the work
Signature
Hand signed by the artist, numbered and dated lower right margin.
Series
Brushstroke Figure Series 1989
Publisher
Waddington Graphics, London and Graphicstudio University of South Florida Tampa
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Blonde, from Brushstroke Figures Series, 1989

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford paper
57 4/5 × 37 2/5 in
146.8 × 95 cm
Edition of 60
This is part of a limited edition set.
Sold
location
Miami Beach, New York, Beverly Hills, London
Want to sell a work by this artist? Consign with Artsy.
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