Roy Lichtenstein, ‘Brushstroke-Collage For Sculpture’, 1999, ArtWise

"Brushstroke-Collage For Sculpture" by Roy Lichtenstein, Unsigned Serigraph printed in 1999 from an edition size of 500. The overall size of the Serigraph is 72 x 35.5 inches. The condition of this piece has been graded as C: Several Signs of use and handling, some visible marks. Here is some supplemental information about the Serigraph: "Brushstroke-Collage for Sculpture" is a poster designed for an exhibition held at the Corcoran Art Gallery located in Washington DC from June 5th to September 30th, 1999.
The poster is a seven-color serigraph, unsigned and not numbered. The edition size is approximately 500.

About Roy Lichtenstein

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

American, 1923-1997, New York, New York, based in New York and Southampton, New York