Roy Lichtenstein, ‘Brushstroke on Canvas (C. 234)’, 1989, Sotheby's

Signed in pencil, dated and numbered 15/40 (total edition includes 18 artist's proofs), on Rives BFK paper, with the blindstamps of the printer, Tyler Graphics Ltd., Mount Kisco, New York, and the publisher, The Metropolitan Museum of Art, New York, framed.

image: 859 by 819 mm 33 7/8 by 32 1/4 in
sheet: 962 by 922 mm 37 7/8 by 36 1/2 in

About Roy Lichtenstein

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

American, 1923-1997, New York, New York, based in New York and Southampton, New York