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Cathedral #5, from the Cathedral series, 1969

Lithograph in colors on Arjomari paper
41 1/2 × 27 in
105.4 × 68.6 cm
Edition 69/75
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
HA
Heritage Auctions

Framed under acrylic. Framed dimensions 56 x 41.5 inches.

Framed under acrylic. Framed dimensions 56 x 41.5 inches.

Signature
Signed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisher
Image rights
Courtesy of Heritage Auctions
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

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About the work
HA
Heritage Auctions

Framed under acrylic. Framed dimensions 56 x 41.5 inches.

Framed under acrylic. Framed dimensions 56 x 41.5 inches.

Signature
Signed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisher
Image rights
Courtesy of Heritage Auctions
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Cathedral #5, from the Cathedral series, 1969

Lithograph in colors on Arjomari paper
41 1/2 × 27 in
105.4 × 68.6 cm
Edition 69/75
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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