Roy Lichtenstein, ‘Collage for Interior: Perfect Pitcher’, Christie's
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Collage for Interior: Perfect Pitcher

Painted and printed paper collage, tape, marker and graphite on board
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About the work
Exhibition history
Provenance
C
Christie's

Roy Lichtenstein (1923-1997)

Collage for Interior: Perfect Pitcher

signed and dated 'rf …

Signature
Signed and dated 'rf Lichtenstein '94' (on the reverse)
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Roy Lichtenstein, ‘Collage for Interior: Perfect Pitcher’, Christie's
Save
Save
Share
Share
About the work
Exhibition history
Provenance
C
Christie's

Roy Lichtenstein (1923-1997)

Collage for Interior: Perfect Pitcher

signed and dated 'rf Lichtenstein '94' (on the reverse)

painted and printed paper collage, tape, marker and graphite on board

37 1/4 x 56 in. (94.6 x 142.2 cm.)

Executed in 1994.

Signature
Signed and dated 'rf Lichtenstein '94' (on the reverse)
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Collage for Interior: Perfect Pitcher

Painted and printed paper collage, tape, marker and graphite on board
Want to sell a work by this artist? Consign with Artsy.