Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share

Guggenheim Museum, 1969

Silkscreen
28 3/4 × 28 3/4 in
73 × 73 cm
Edition of 3000
This is ephemera, an artifact related to the artist.
$750
Ships from Brooklyn, NY, US
Shipping: Free domestic, $39 rest of world
location
Brooklyn
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Have a question? Read our FAQ or ask a specialist.
Want to sell a work by this artist? Consign with Artsy.
About the work

Over the course of his career, Roy Lichtenstein designed 70 posters to promote music and film …

Read more

Over the course of his career, Roy Lichtenstein designed 70 posters to promote music and film festivals, political campaigns, nonprofit organizations, his own exhibitions, and more. Released in 1962, Lichtenstein’s first poster depicts a series of shaking hands, which celebrated his inaugural exhibition at the …

Read more
ArtWise
Brooklyn
Follow

Designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York …

Read more

Designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York from September 19-November 16, 1969. Screen-print on white glossy paper, Published by Poster Originals Ltd, NY. Corlett cat. no. 111.25.b

Condition
A-: Near Mint, very light signs of handling
Signature
Not signed
Certificate of authenticity
Included
Frame
Not included
Price ranges of large prints by Roy Lichtenstein
Learn more
Browse works in this category
$0–$10,000
This work
$0
$210,000+
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work

Over the course of his career, Roy Lichtenstein designed 70 posters to promote music and film …

Read more

Over the course of his career, Roy Lichtenstein designed 70 posters to promote music and film festivals, political campaigns, nonprofit organizations, his own exhibitions, and more. Released in 1962, Lichtenstein’s first poster depicts a series of shaking hands, which celebrated his inaugural exhibition at the …

Read more
ArtWise
Brooklyn
Follow

Designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York …

Read more

Designed by Roy Lichtenstein for his first solo exhibition at the Guggenheim Museum in New York from September 19-November 16, 1969. Screen-print on white glossy paper, Published by Poster Originals Ltd, NY. Corlett cat. no. 111.25.b

Condition
A-: Near Mint, very light signs of handling
Signature
Not signed
Certificate of authenticity
Included
Frame
Not included
Price ranges of large prints by Roy Lichtenstein
Learn more
Browse works in this category
$0–$10,000
This work
$0
$210,000+
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Guggenheim Museum, 1969

Silkscreen
28 3/4 × 28 3/4 in
73 × 73 cm
Edition of 3000
This is ephemera, an artifact related to the artist.
$750
Ships from Brooklyn, NY, US
Shipping: Free domestic, $39 rest of world
location
Brooklyn
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Have a question? Read our FAQ or ask a specialist.
Want to sell a work by this artist? Consign with Artsy.
Other works from #ArtWiseUP: Timestamped Exhibition Posters
Other works by Roy Lichtenstein
Other works from ArtWise
Related works
Most Similar
Pop Art