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signed, dated and inscribed A/P X in pencil, one of ten artist's proofs aside from the edition of 100, on BFK Rives paper, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp and workshop number verso, the full sheet printed to the edges, 341 x 598mm (13 ½ x 23 5/8 in) (unframed)
The Haystack series was the first in a number of works which directly reference the works of Claude Monet, following on from the Haystacks, the artist turned his eye to the depiction of Cologne Cathedral. Haystacks also marked the first time that Lichtenstein worked with the master printers at Gemini G.E.L in Los Angeles, a relationship that was to last until the year before he died.
- Materials
- Lithograph printed in colours with screenprint
- Size
- 13 2/5 × 23 1/2 in | 34.1 × 59.8 cm
- Medium
Haystack #3 (Corlett 67), 1969
signed, dated and inscribed A/P X in pencil, one of ten artist's proofs aside from the edition of 100, on BFK Rives paper, printed and published by Gemini G.E.L., Los Angeles, with their blindstamp and workshop number verso, the full sheet printed to the edges, 341 x 598mm (13 ½ x 23 5/8 in) (unframed)
The Haystack series was the first in a number of works which directly reference the works of Claude Monet, following on from the Haystacks, the artist turned his eye to the depiction of Cologne Cathedral. Haystacks also marked the first time that Lichtenstein worked with the master printers at Gemini G.E.L in Los Angeles, a relationship that was to last until the year before he died.
- Materials
- Lithograph printed in colours with screenprint
- Size
- 13 2/5 × 23 1/2 in | 34.1 × 59.8 cm
- Medium
