Roy Lichtenstein, ‘Illustration for "Hum Bum!" (from La Nouvelle Chute de l'Amerique)’, 1992, Rago/Wright
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Illustration for "Hum Bum!" (from La Nouvelle Chute de l'Amerique), 1992

Etching and aquatint on 250-gram Velin d'Arches paper
14 3/4 × 11 in
37.5 × 27.9 cm
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About the work
Bibliography
Provenance
RW
Rago/Wright

Sheet measures: 19 h x 13.75 w inches
Signed and numbered to lower edge 'XIII/XLV RL'. This …

Medium
Print
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Roy Lichtenstein, ‘Illustration for "Hum Bum!" (from La Nouvelle Chute de l'Amerique)’, 1992, Rago/Wright
Save
Save
View
View in room
Share
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About the work
Bibliography
Provenance
RW
Rago/Wright

Sheet measures: 19 h x 13.75 w inches
Signed and numbered to lower edge 'XIII/XLV RL'. This work number 13 from the edition of 45 hors commerce aside from the book edition of 80 printed by Atelier Dupont-Visat, L'Inediteur, Paris and published by Les Editions du Solstice, Paris.

Medium
Print
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Illustration for "Hum Bum!" (from La Nouvelle Chute de l'Amerique), 1992

Etching and aquatint on 250-gram Velin d'Arches paper
14 3/4 × 11 in
37.5 × 27.9 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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