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Lamp (Corlett 182), 1981

Woodcut printed in colours
19 3/5 × 8 1/5 in
49.8 × 20.9 cm
Edition of 30
Bidding closed
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About the work
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Signed, dated and numbered from the edition of 30 in pencil, on handmade natural Okawara Japanese …

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Signed, dated and numbered from the edition of 30 in pencil, on handmade natural Okawara Japanese paper, printed and published by Tyler Graphics, New York, with full margins, sheet 498 x 209mm (19 5/8 x 8 ¼in) (unframed)

Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

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About the work
FA
Forum Auctions

Signed, dated and numbered from the edition of 30 in pencil, on handmade natural Okawara Japanese …

Read more

Signed, dated and numbered from the edition of 30 in pencil, on handmade natural Okawara Japanese paper, printed and published by Tyler Graphics, New York, with full margins, sheet 498 x 209mm (19 5/8 x 8 ¼in) (unframed)

Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Lamp (Corlett 182), 1981

Woodcut printed in colours
19 3/5 × 8 1/5 in
49.8 × 20.9 cm
Edition of 30
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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