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Roy Lichtenstein, ‘Lighting bolt banner’, 1966, Keitelman Gallery
Roy Lichtenstein, ‘Lighting bolt banner’, 1966, Keitelman Gallery
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Lighting bolt banner, 1966

Serigraphy on felt
100 2/5 × 46 in
255 × 116.8 cm
Edition of 20
This is part of a limited edition set.
Location
Brussels
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Print
Signature
Signed on the back and numbered 20/20
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Roy Lichtenstein, ‘Lighting bolt banner’, 1966, Keitelman Gallery
Roy Lichtenstein, ‘Lighting bolt banner’, 1966, Keitelman Gallery
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Medium
Print
Signature
Signed on the back and numbered 20/20
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Lighting bolt banner, 1966

Serigraphy on felt
100 2/5 × 46 in
255 × 116.8 cm
Edition of 20
This is part of a limited edition set.
Location
Brussels
Want to sell a work by this artist? Consign with Artsy.
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