Roy Lichtenstein, ‘Lincoln Center (Poster)’, 1966, Posters, Color offset lithograph on smooth white wove paper mounted on foam core, Freeman's
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Roy Lichtenstein

Lincoln Center (Poster), 1966

Color offset lithograph on smooth white wove paper mounted on foam core
44 3/4 × 29 3/8 in
113.7 × 74.6 cm
Edition of 500
Bidding closed
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F
Freeman's

Published by Lincoln Center/List Art Poster and Print Program, New York to announce the Fourth New …

Medium
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Roy Lichtenstein, ‘Lincoln Center (Poster)’, 1966, Posters, Color offset lithograph on smooth white wove paper mounted on foam core, Freeman's
Save
Save
View
View in room
Share
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F
Freeman's

Published by Lincoln Center/List Art Poster and Print Program, New York to announce the Fourth New York Film Festival

Medium
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Roy Lichtenstein

Lincoln Center (Poster), 1966

Color offset lithograph on smooth white wove paper mounted on foam core
44 3/4 × 29 3/8 in
113.7 × 74.6 cm
Edition of 500
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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