Roy Lichtenstein, ‘Salute to Airmail’, 1969, Joseph K. Levene Fine Art, Ltd.
Roy Lichtenstein, ‘Salute to Airmail’, 1969, Joseph K. Levene Fine Art, Ltd.

Edition of 50.
http://www.josephklevenefineartltd.com/artists/roy-lichtenstein/roy-lichtenstein-airmail.html

Signature: With original black base, with the artist's incised initials, stamp-numbered

Published by the International Collectors Society, New York to commemorate the 50th anniversaries of International Airmail service and the United States Airmail service

M. Corlett, The Prints of Roy Lichtenstein: A Catalogue Raisonne 1948-1993, New York, 1994, pg 27.

About Roy Lichtenstein

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

American, 1923-1997, New York, New York, based in New York and Southampton, New York