Roy Lichtenstein, ‘Study for Little Aviation’, Christie's
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Study for Little Aviation

Image: 16 1/4 x 8 3/4 in. (41.2 x 22.2 cm.)
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About the work
Exhibition history
Provenance
C
Christie's

Roy Lichtenstein (1923-1997)

Study for Little Aviation

signed and dated 'rf Lichtenstein …

Signature
Graphite and color pencil on paper
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Roy Lichtenstein, ‘Study for Little Aviation’, Christie's
Save
Save
Share
Share
About the work
Exhibition history
Provenance
C
Christie's

Roy Lichtenstein (1923-1997)

Study for Little Aviation

signed and dated 'rf Lichtenstein '68' (lower right)

graphite and color pencil on paper

image: 16 1/4 x 8 3/4 in. (41.2 x 22.2 cm.)

sheet: 21 1/4 x 13 1/8 in. (53.9 x 33.3 cm.)

Executed in 1968.

Signature
Graphite and color pencil on paper
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Study for Little Aviation

Image: 16 1/4 x 8 3/4 in. (41.2 x 22.2 cm.)
Want to sell a work by this artist? Consign with Artsy.
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