Roy Lichtenstein, ‘The Solomon R. Guggenheim Museum Poster’, 1969, Phillips

Image: 23 1/4 x 23 1/4 in (59.1 x 59.1 cm)
Sheet: 28 3/4 x 28 3/4 in (73 x 73 cm)

Signature: Signed, dated and numbered 71/250 in pencil (there were also an unknown number of artist's proofs), co-published by the artist and Leo Castelli Gallery, New York, for the Solomon R. Guggenheim Museum, New York, framed.

Mary Lee Corlett 83

About Roy Lichtenstein

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

American, 1923-1997, New York, New York, based in New York and Southampton, New York