Roy Lichtenstein, ‘Twin Mirrors (Corlett 102)’, 1970, Print, Screenprint in colours, Forum Auctions
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Roy Lichtenstein

Twin Mirrors (Corlett 102), 1970

Screenprint in colours
38 3/5 × 25 9/10 in
98 × 65.9 cm
Edition of 250
.
Bidding closed
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Forum Auctions

Signed, dated and numbered from the edition of 250 in pencil, on wove paper, published by The …

Medium
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Roy Lichtenstein, ‘Twin Mirrors (Corlett 102)’, 1970, Print, Screenprint in colours, Forum Auctions
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Signed, dated and numbered from the edition of 250 in pencil, on wove paper, published by The Solomon R. Guggenheim Museum and Fine Creations Inc., New York, with full margins, unframed.

Please Note: This lot has been imported from outside the EU to be sold at auction under temporary importation, and therefore the …

Medium
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Roy Lichtenstein

Twin Mirrors (Corlett 102), 1970

Screenprint in colours
38 3/5 × 25 9/10 in
98 × 65.9 cm
Edition of 250
.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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