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Two paintings: Dagwood, 1984

Colour woodcut and colour lithograph
Edition 9/60
This is part of a limited edition set.
Bidding closed
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About the work
Bibliography
KA
Koller Auctions

Image 129.1 x 91.1 cm on vélin by Arches 136.8 x 98.8 cm.
From the 9-part series …

Read more

Image 129.1 x 91.1 cm on vélin by Arches 136.8 x 98.8 cm.
From the 9-part series "Paintings", 1982 - 1985.

From the Catalogue:

In his large-scale print “Two Paintings: Dagwood” from 1984, Roy Lichtenstein proves his outstanding talent as a print maker. With woodcut and lithography, he masterfully combines two …

Read more
Signature
Signed and dated lower right: rf Lichtenstein 84. On the reverse with the copyright stamp of Gemini, as well as of King Features Syndicate … Read more
Publisher
Published and printed by Gemini G.E.L., Los Angeles (with the blindstamp).
Image rights
Courtesy of Koller Auktionen
Roy Lichtenstein
American, 1923–1997
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When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Save
Save
share
Share
Save
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share
Share
About the work
Bibliography
KA
Koller Auctions

Image 129.1 x 91.1 cm on vélin by Arches 136.8 x 98.8 cm.
From the 9-part series …

Read more

Image 129.1 x 91.1 cm on vélin by Arches 136.8 x 98.8 cm.
From the 9-part series "Paintings", 1982 - 1985.

From the Catalogue:

In his large-scale print “Two Paintings: Dagwood” from 1984, Roy Lichtenstein proves his outstanding talent as a print maker. With woodcut and lithography, he masterfully combines two …

Read more
Signature
Signed and dated lower right: rf Lichtenstein 84. On the reverse with the copyright stamp of Gemini, as well as of King Features Syndicate … Read more
Publisher
Published and printed by Gemini G.E.L., Los Angeles (with the blindstamp).
Image rights
Courtesy of Koller Auktionen
Roy Lichtenstein
American, 1923–1997
Follow

When American Pop artist Roy Lichtenstein painted Look Mickey in 1961, it set the tone for his career. This primary-color portrait of the cartoon mouse introduced Lichtenstein’s detached and deadpan style at a time when introspective Abstract Expressionism reigned. Mining material from advertisements, comics, and the everyday, Lichtenstein brought what was then a great taboo—commercial art—into the gallery. He stressed the artificiality of his images by painting them as though they’d come from a commercial press, with the flat, single-color Ben-Day dots of the newspaper meticulously rendered by hand using paint and stencils. Later in his career, Lichtenstein extended his source material to art history, including the work of Claude Monet and Pablo Picasso, and experimented with three-dimensional works. Lichtenstein’s use of appropriated imagery has influenced artists such as Richard Prince, Jeff Koons, and Raymond Pettibon.

Two paintings: Dagwood, 1984

Colour woodcut and colour lithograph
Edition 9/60
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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