Rufino Tamayo, ‘Personaje Blanco (White Person); and Cabeza en Amarillo (Head in Yellow)’, 1976, Phillips

No Reserve; Property Subject to VAT Section 4 (5%; see Conditions of Sale for further information)

Both sheets: approx 75.4 x 56.3 cm (29 5/8 x 22 1/8 in.)

Signature: Both signed and numbered 13/75 and 22/75 in crayon (there were also 10 artist's proofs in Roman numerals), published by Ediciones Polígrafa, Barcelona, both framed.

Juan Carlos Pereda 193 and 195

About Rufino Tamayo

Rufino Tamayo, a Mexican artist of Zapotecan Indian descent, combined European painting styles and Mexican folk motifs in his paintings and prints. Tamayo, admired the works of Pablo Picasso, Georges Braque, and Henri Matisse, developed a strong interest in pre-Columbian art while working at the National Museum of Archaeology in Mexico City. He reacted against the political overtones of the Mexican muralists Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco; instead, he was concerned with form and symbolism, and combining Mexican styles with Cubism and Surrealism. He was also active in the development of Mixografia, a printmaking technique used to create deep textured effects.

Mexican, 1899-1991, Oaxaca de Juarez, Mexico