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Russel Wright, ‘Centerpiece/Candelabrum, USA’, 1930s, Rago/Wright
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Russel Wright

Centerpiece/Candelabrum, USA, 1930s

Copper
2 1/4 × 13 1/4 in
5.7 × 33.7 cm
Bidding closed
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About the work
RW
Rago/Wright
Medium
Design/Decorative Art
Signature
Stamped RUSSEL WRIGHT
Russel Wright
American, 1904–1976
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Russel Wright advocated a new way of living that embodied what he saw as essentially modern American values: comfort, convenience, and ease. He elucidated this lifestyle through the Guide to Easier Living (1950), a best-selling book he wrote with his wife Mary, which called for a break from the “unrealistic dream that makes home life formal and unsatisfying.” Wright designed furniture, textiles, and ceramics that worked in tandem with the guide and enabled middle-class Americans to adopt the principles he outlined in the manual. Casual buffet dinners and one-pot meals could be served in the affordable, chip-resistant, and brightly colored Iroquois China (1947) that moved between the oven and the table. The minimal clean-up maximized a host’s time with guests and exemplified Wright’s objective “to make entertaining less work and more play for everyone concerned.”

Russel Wright, ‘Centerpiece/Candelabrum, USA’, 1930s, Rago/Wright
Navigate left
Russel Wright, ‘Centerpiece/Candelabrum, USA’, 1930s, Rago/Wright
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
RW
Rago/Wright
Medium
Design/Decorative Art
Signature
Stamped RUSSEL WRIGHT
Russel Wright
American, 1904–1976
Follow

Russel Wright advocated a new way of living that embodied what he saw as essentially modern American values: comfort, convenience, and ease. He elucidated this lifestyle through the Guide to Easier Living (1950), a best-selling book he wrote with his wife Mary, which called for a break from the “unrealistic dream that makes home life formal and unsatisfying.” Wright designed furniture, textiles, and ceramics that worked in tandem with the guide and enabled middle-class Americans to adopt the principles he outlined in the manual. Casual buffet dinners and one-pot meals could be served in the affordable, chip-resistant, and brightly colored Iroquois China (1947) that moved between the oven and the table. The minimal clean-up maximized a host’s time with guests and exemplified Wright’s objective “to make entertaining less work and more play for everyone concerned.”

Russel Wright

Centerpiece/Candelabrum, USA, 1930s

Copper
2 1/4 × 13 1/4 in
5.7 × 33.7 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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