Ruth Bernhard, ‘Dancers Hips’, 1951-printed later, Photography, Gelatin silver, Heritage Auctions
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Ruth Bernhard

Dancers Hips, 1951-printed later

Gelatin silver
7 1/8 × 9 5/8 in
18.1 × 24.4 cm
Bidding closed
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HA
Heritage Auctions
Medium
Signature
Signed in pencil mount recto. Signed, titled, and dated in pencil mount verso.
Image rights
Courtesy of Heritage Auctions
Ruth Bernhard
German-American, 1905–2006
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During her lifetime, Ruth Bernhard shot almost exclusively in black-and-white, focusing on the sensuality of the human body, resulting in images that are charged with erotic power. In her silver gelatin print, Mother & Child, Joane (1963), a mother clutches her infant, lovingly cradling it to her. Their nude bodies, contours, and bare skin mirror one another, creating formal as well as emotional depth. Bernhard was born in Berlin and studied at the city’s Academy of Art before moving to the United States in 1927. She counted Margrethe Mather and Edward Weston among her colleagues and friends, and claimed the two photographers were responsible for showing her that the medium was capable of artistry. She also produced photographs for the Museum of Modern Art’s first exhibition catalogue.

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Ruth Bernhard, ‘Dancers Hips’, 1951-printed later, Photography, Gelatin silver, Heritage Auctions
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Save
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View
View in room
Share
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HA
Heritage Auctions
Medium
Signature
Signed in pencil mount recto. Signed, titled, and dated in pencil mount verso.
Image rights
Courtesy of Heritage Auctions
Ruth Bernhard
German-American, 1905–2006
Follow

During her lifetime, Ruth Bernhard shot almost exclusively in black-and-white, focusing on the sensuality of the human body, resulting in images that are charged with erotic power. In her silver gelatin print, Mother & Child, Joane (1963), a mother clutches her infant, lovingly cradling it to her. Their nude bodies, contours, and bare skin mirror one another, creating formal as well as emotional depth. Bernhard was born in Berlin and studied at the city’s Academy of Art before moving to the United States in 1927. She counted Margrethe Mather and Edward Weston among her colleagues and friends, and claimed the two photographers were responsible for showing her that the medium was capable of artistry. She also produced photographs for the Museum of Modern Art’s first exhibition catalogue.

Ruth Bernhard

Dancers Hips, 1951-printed later

Gelatin silver
7 1/8 × 9 5/8 in
18.1 × 24.4 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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