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Ryan Wallace

Untitled (Redactor) XI, 2015

Enamel, acrylic, rubber, roof coating, pigment, cold wax, vinyl, tape, canvas, linen on canvas
48 × 40 × 1 1/2 in
121.9 × 101.6 × 3.8 cm
Bidding closed
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About the work
Headlands Center for the Arts: Benefit Auction 2017
Sausalito

Ryan Wallace’s work explores the perception of space, the combination of authored and accidental …

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Ryan Wallace’s work explores the perception of space, the combination of authored and accidental gestures, and how analog information is created, replicated, and presented. His work is sustained through a continuous cycle of creation, destruction, painting, tearing, seaming, de-stretching, and rebuilding. Recent solo …

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Image rights
Courtesy of the artist and Romer Young Gallery
Ryan Wallace
American, b. 1977
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Much of Ryan Wallace’s practice is preoccupied with scientific inventions or investigations—like …

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Much of Ryan Wallace’s practice is preoccupied with scientific inventions or investigations—like the Doomsday Clock, the Omega Point, and the Large Hadron Collider—and theories of the universe, as well as the visualization of information, geography, and data. His curiosity results in chaos-embracing, experimentally …

Read more
Save
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share
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Save
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share
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About the work
Headlands Center for the Arts: Benefit Auction 2017
Sausalito

Ryan Wallace’s work explores the perception of space, the combination of authored and accidental …

Read more

Ryan Wallace’s work explores the perception of space, the combination of authored and accidental gestures, and how analog information is created, replicated, and presented. His work is sustained through a continuous cycle of creation, destruction, painting, tearing, seaming, de-stretching, and rebuilding. Recent solo …

Read more
Image rights
Courtesy of the artist and Romer Young Gallery
Ryan Wallace
American, b. 1977
Follow

Much of Ryan Wallace’s practice is preoccupied with scientific inventions or investigations—like …

Read more

Much of Ryan Wallace’s practice is preoccupied with scientific inventions or investigations—like the Doomsday Clock, the Omega Point, and the Large Hadron Collider—and theories of the universe, as well as the visualization of information, geography, and data. His curiosity results in chaos-embracing, experimentally …

Read more

Ryan Wallace

Untitled (Redactor) XI, 2015

Enamel, acrylic, rubber, roof coating, pigment, cold wax, vinyl, tape, canvas, linen on canvas
48 × 40 × 1 1/2 in
121.9 × 101.6 × 3.8 cm
Bidding closed
Want to sell a work by this artist? Learn more.
Other works by Ryan Wallace