CITYarts: Benefit Auction 2019
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CITYarts Benefit Auction
Medium
Image rights
Courtesy of Pace Prints

Sayed Haider Raza is one of the most prominent and groundbreaking Indian painters of his generation. During his training in France, Raza experimented with a variety of Modernist styles through landscape painting—first inspired by Expressionism, and later by geometric abstraction. In 1970, Raza began to paint purely geometric forms, particularly the circle and the dot, which he likened to the idea of the bindu. Though his style changed drastically over the course of his career, Raza’s works were all united in their emphasis on color, and their references to memory and mood. Raza was also responsible for founding the Bombay Progressive Artists’ Group (PAG) with Krishna Hawlaji Ara and Francis Newton Souza, with the purpose of turning away from the European realist styles taught in Indian art schools, and establishing a modernist vocabulary relevant to India.

Selected exhibitions
2018
The Progressive Revolution: Modern Art for a New IndiaAsia Society
The Progressive Revolution: Modern Art for a New IndiaAsia Society
2014
S. H. Raza: A RetrospectiveAicon Gallery
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Jala Bindu, 2005

Inkjet
30 × 22 × 2 in
76.2 × 55.9 × 5.1 cm
Edition 37/80
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CITYarts Benefit Auction
Medium
Image rights
Courtesy of Pace Prints

Sayed Haider Raza is one of the most prominent and groundbreaking Indian painters of his generation. During his training in France, Raza experimented with a variety of Modernist styles through landscape painting—first inspired by Expressionism, and later by geometric abstraction. In 1970, Raza began to paint purely geometric forms, particularly the circle and the dot, which he likened to the idea of the bindu. Though his style changed drastically over the course of his career, Raza’s works were all united in their emphasis on color, and their references to memory and mood. Raza was also responsible for founding the Bombay Progressive Artists’ Group (PAG) with Krishna Hawlaji Ara and Francis Newton Souza, with the purpose of turning away from the European realist styles taught in Indian art schools, and establishing a modernist vocabulary relevant to India.

Selected exhibitions (3)
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