Sally Mann, ‘Gum’, 1993, Photography, Gelatin silver contact print, Dallas Collectors Club
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Sally Mann

Gum, 1993

Gelatin silver contact print
24 × 20 in
61 × 50.8 cm
Edition of 25
Contact For Price
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Medium
Sally Mann
American, b. 1951
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While photographs of poignant Southern landscapes and historic architecture earned Sally Mann initial accolades, it was her portraits of girls captured in the ephemeral moment between childhood innocence and womanly sophistication that solidified her reputation as provocateur. “Family Pictures” (1984-1991) emerged out of intimate, black-and-white photographs of her own young children, often nude, going about their daily lives—eating, sleeping, and playing. Besides eliciting controversy over her sexually charged images of children, Mann is noted for using large-format cameras—sometimes with damaged lenses that admit light leaks and imperfections—to reveal the uncanny beauty in her subjects, be they decomposing corpses, Civil War battlefields, or her own family. More recently, she has revisited the 19th-century process of wet collodion on glass plates, which captures fine details, but requires exposing and developing the film within 15 minutes. Limited control over the process leads to what Mann describes as “happy accidents” in her work.

Sally Mann, ‘Gum’, 1993, Photography, Gelatin silver contact print, Dallas Collectors Club
Save
Save
View
View in room
Share
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Medium
Sally Mann
American, b. 1951
Follow

While photographs of poignant Southern landscapes and historic architecture earned Sally Mann initial accolades, it was her portraits of girls captured in the ephemeral moment between childhood innocence and womanly sophistication that solidified her reputation as provocateur. “Family Pictures” (1984-1991) emerged out of intimate, black-and-white photographs of her own young children, often nude, going about their daily lives—eating, sleeping, and playing. Besides eliciting controversy over her sexually charged images of children, Mann is noted for using large-format cameras—sometimes with damaged lenses that admit light leaks and imperfections—to reveal the uncanny beauty in her subjects, be they decomposing corpses, Civil War battlefields, or her own family. More recently, she has revisited the 19th-century process of wet collodion on glass plates, which captures fine details, but requires exposing and developing the film within 15 minutes. Limited control over the process leads to what Mann describes as “happy accidents” in her work.

Sally Mann

Gum, 1993

Gelatin silver contact print
24 × 20 in
61 × 50.8 cm
Edition of 25
Contact For Price
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
Series by this artist
Other works by Sally Mann
Other works from Dallas Collectors Club
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