Forum Auctions: Editions and Works on Paper (July 2020) - Forum Auctions
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signed in pencil, numbered from the edition of 175, published by Les bibliophiles de l'Union Française, Paris, on Japon nacré paper, with full margins, 590 x 388mm (23 ¼ x 15 ¾ in) (unframed)

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Medium

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

High auction record
£13.5m, Sotheby's, 2011
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, de la Cruz Collection
Selected exhibitions
2019
Masterpiece Collection / SingaporeOpera Gallery
2016
Highlights from Kunstmuseum BernKunstmuseum Bern
2015
Salvador DalíOpera Gallery
View all

Ananas (Field 67-11), 1967

Photolithograph with etching
23 1/5 × 15 3/10 in
59 × 38.8 cm
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FA
Forum Auctions

signed in pencil, numbered from the edition of 175, published by Les bibliophiles de l'Union …

Medium

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

High auction record
£13.5m, Sotheby's, 2011
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, de la Cruz Collection
Selected exhibitions (3)
Other works by Salvador Dalí
Related works
Related artists