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Salvador Dalí

"Diane de Poitiers", 1977

Drypoint on Arches paper
Edition 130/250
This is part of a limited edition set.
Bidding closed
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About the work
V
Veritas

39.5x49.5 cm (image)

(defects to the paper)--Courtesy of Veritas

39.5x49.5 cm (image)

(defects to the paper)--Courtesy of Veritas

Medium
Drawing, Collage or other Work on Paper
Signature
Signed and numbered 130/250
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

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About the work
V
Veritas

39.5x49.5 cm (image)

(defects to the paper)--Courtesy of Veritas

39.5x49.5 cm (image)

(defects to the paper)--Courtesy of Veritas

Medium
Drawing, Collage or other Work on Paper
Signature
Signed and numbered 130/250
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

"Diane de Poitiers", 1977

Drypoint on Arches paper
Edition 130/250
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Salvador Dalí
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Surrealism