Salvador Dalí, ‘Flora Dalinae (Michler & Löpsinger 227-236; Field 68-3 A-J)’, 1968, Print, The complete portfolio, comprising ten etchings with drypoint and pochoir printed in colors, Sotheby's
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Salvador Dalí

Flora Dalinae (Michler & Löpsinger 227-236; Field 68-3 A-J), 1968

The complete portfolio, comprising ten etchings with drypoint and pochoir printed in colors
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Sotheby's

Each signed in pencil and inscribed 'E.H.', a proof aside from the numbered edition of 175, …

Medium
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

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Salvador Dalí, ‘Flora Dalinae (Michler & Löpsinger 227-236; Field 68-3 A-J)’, 1968, Print, The complete portfolio, comprising ten etchings with drypoint and pochoir printed in colors, Sotheby's
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Save
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Sotheby's

Each signed in pencil and inscribed 'E.H.', a proof aside from the numbered edition of 175, hinged to tabs in the binding, on ja**pon nacré paper, with title pages and justification, printed by l'Atelier Rigal, Paris and l'Atelier d'Art L'Ibis, Paris, published by Maurice Gonon, contained in …

Medium
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

Flora Dalinae (Michler & Löpsinger 227-236; Field 68-3 A-J), 1968

The complete portfolio, comprising ten etchings with drypoint and pochoir printed in colors
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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