Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art
Salvador Dalí, ‘Helen of Troy (Angel with Wand)’, 1977, Graves International Art

An original signed photolithograph from an original gouache on Arches paper by Spanish artist Salvador Dali (1904-1989) titled "Helen of Troy (Angel with Wand)", 1977. Comes from the 1977 portfolio: 'Hommage a Homere'. Photolithography is lithography using plates made photographically. Limited edition: 107/350. Hand pencil signed by Dali lower right and hand numbered lower left. Printed and published by Levine and Levine for Peterson Fine Art / Diversified Editions. Reference: Field 77-4-B, page 118. Sheet size: 31" x 21.5". In excellent condition. List price in Bruce Hochman's 2013 Print Price Guide to the Graphic Works of Salvador Dali...$10,000. Rare.

Note: We are specialists in Salvador Dali's Original Prints, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our prints to be Authentic.

Series: Comes from the 1977 portfolio: 'Hommage a Homere'.

Signature: Hand pencil signed by Dali lower right

Image rights: Copyright © Graves International Art

Publisher: Levine & Levine

Reference: Field 77-4-B, page 118.

About Salvador Dalí

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips. “Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”

Spanish, 1904-1989, Figueres, Spain