Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art
Salvador Dalí, ‘Hommage a Picasso (Cannes) (Cote d'Azur)’, 1973, Graves International Art

An original signed etching on Arches paper by Spanish artist Salvador Dali (1904-1989) titled "Hommage a Picasso (Cannes) (Cote d'Azur)", 1973. Dali executed this etching in Cannes when he learned of Picasso's death. Limited edition: 3/200. Hand pencil signed by Dali lower right and hand numbered lower left. Printed and published by Felicia, New York / EGI. Reference: Field 73-5, page 84. Sheet size: 26.25" x 19.75". Image size: 19.75" x 14.5". Toning to sheet associated with age, can be cleaned. Colors are good and impression is rich. In overall good condition.

Note: We are specialists in Salvador Dali's Original Prints, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our prints to be Authentic.

Signature: Hand pencil signed by Dali lower right

Publisher: Felicia

Reference: Field 73-5, page 84

About Salvador Dalí

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips. “Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”

Spanish, 1904-1989, Figueres, Spain