Salvador Dalí, ‘Jeremiah's Prophecy Against King JOachim’, 1967, Baterbys Art Gallery
Salvador Dalí, ‘Jeremiah's Prophecy Against King JOachim’, 1967, Baterbys Art Gallery

This illustration refers to a passage from the book Jeremiah in which the prophet must explain to the people of Israel and Judah the reason behind the impending destruction of Judah. Dali creates an oval surrounded by black to suggest that the image represents Jeremiah's vision. The army coming to destroy Judah is depicted in the right corner. The central figure, perhaps Jeremiah, is portrayed as a silhouette. For Dali, silhouettes symbolized several things including the supernatural, evil conflicts, and dreams and fantasies.

Series: From the Biblia Sacra Suite: the largest suite of prints ever produced by Salvador Dali

Signature: Signed in the plate, lower right

Publisher: Rizzoli of Milan, Italy

Biblia Sacra: Dali & His Bible - Baterbys Art Gallery (Nov. 2017 - Jan. 2018)

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About Salvador Dalí

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips. “Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”

Spanish, 1904-1989, Figueres, Spain