Salvador Dalí, ‘La Divine Comédie (The Divine Comedy) (Michler & Löpsinger 1039-1138)’, 1960, Forum Auctions
Salvador Dalí, ‘La Divine Comédie (The Divine Comedy) (Michler & Löpsinger 1039-1138)’, 1960, Forum Auctions
Salvador Dalí, ‘La Divine Comédie (The Divine Comedy) (Michler & Löpsinger 1039-1138)’, 1960, Forum Auctions

With title, contents, justification and text pages in Italian, from the edition of 2900, published by Arti e Scienze, Salani, Florence, the full sheets, loose (as issued), each volume with original folded paper wrappers, housed in original matching slipcases, each volume 345 x 272 mm (13 7/8 x 10 6/8 in)(6).

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About Salvador Dalí

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips. “Each morning when I awake, I experience again a supreme pleasure,” he once said. “That of being Salvador Dalí.”

Spanish, 1904-1989, Figueres, Spain