Salvador Dalí, ‘La Divine Comédie (The Divine Comedy) (Michler & Löpsinger 1039-1138; Field p.190)’, 1960, Forum Auctions
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Salvador Dalí

La Divine Comédie (The Divine Comedy) (Michler & Löpsinger 1039-1138; Field p.190), 1960

The complete set of six volumes
13 2/5 × 10 7/10 × 1 7/10 in
34.1 × 27.1 × 4.3 cm
Edition of 2900
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About the work
FA
Forum Auctions

containing 100 woodcuts printed in colours, on Rives wove paper, with title, contents, …

Medium
Books and Portfolios
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

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Salvador Dalí, ‘La Divine Comédie (The Divine Comedy) (Michler & Löpsinger 1039-1138; Field p.190)’, 1960, Forum Auctions
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About the work
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Forum Auctions

containing 100 woodcuts printed in colours, on Rives wove paper, with title, contents, justification and text pages in Italian, from the edition of 2900, published by Arti e Scienze, Salani, Florence, the full sheets bound within red boards, each volume 341 x 271x 43mm (13 1/2 x 10 3/4 x 1 3/4in) (vol) (6)

Medium
Books and Portfolios
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

La Divine Comédie (The Divine Comedy) (Michler & Löpsinger 1039-1138; Field p.190), 1960

The complete set of six volumes
13 2/5 × 10 7/10 × 1 7/10 in
34.1 × 27.1 × 4.3 cm
Edition of 2900
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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