Salvador Dalí, ‘Le Brasier - Le Coupes’, 1930 circa, Drawing, Collage or other Work on Paper, Pastels and collage on paper laid down on cardboard, Il Ponte
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Salvador Dalí

Le Brasier - Le Coupes, 1930 circa

Pastels and collage on paper laid down on cardboard
19 3/5 × 12 3/5 in
49.8 × 31.9 cm
Bidding closed
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IP
Il Ponte

cm 49.8x31.9
Signed lower right

This work is accompanied by an authenticity certificate issued by …

Medium
Salvador Dalí
Spanish, 1904–1989
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Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí, ‘Le Brasier - Le Coupes’, 1930 circa, Drawing, Collage or other Work on Paper, Pastels and collage on paper laid down on cardboard, Il Ponte
Save
Save
View
View in room
Share
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IP
Il Ponte

cm 49.8x31.9
Signed lower right

This work is accompanied by an authenticity certificate issued by the Archives Descharnes, curated by Nicholas R. Descharnes and Oliver M. Descharnes, with n. d6954

Medium
Salvador Dalí
Spanish, 1904–1989
Follow

Salvador Dalí was a leading proponent of Surrealism, the 20-century avant-garde movement that sought to release the creative potential of the unconscious through strange, dream-like imagery. “Surrealism is destructive, but it destroys only what it considers to be shackles limiting our vision,” he said. Dalí is specially credited with the innovation of “paranoia-criticism,” a philosophy of art making he defined as “irrational understanding based on the interpretive-critical association of delirious phenomena.” In addition to meticulously painting fantastic compositions, such as The Accommodations of Desire (1929) and the melting clocks in his famed The Persistence of Memory (1931), Dalí was a prolific writer and early filmmaker, and cultivated an eccentric public persona with his flamboyant mustache, pet ocelot, and outlandish behavior and quips.

Salvador Dalí

Le Brasier - Le Coupes, 1930 circa

Pastels and collage on paper laid down on cardboard
19 3/5 × 12 3/5 in
49.8 × 31.9 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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